Friday, August 2, 2013

The Act of Killing (***)


This is among the oddest documentaries I’ve seen, a sometimes goofy take on a most grim subject. With over 200 million inhabitants, Indonesia is, to Americans generally, surely the most mysterious of the world’s populous nations. Even the well-informed may not know about the 1965 coup that resulted in the mass executions of hundreds of thousands of suspected communists, with the assistance of lists provided by “western governments,” as the brief title states. Joshua Oppenheimer does not explore the history that preceded the Suharto dictatorship or the role of the CIA in facilitating it. Instead, he examines a few of the men who committed the atrocities. But rather than just interviewing them, he gets them to re-create their crimes, providing them with professional make-up artists, sets, and letting them direct.

The “star” of the film is one Anwars Congo, a genial, gentle-seeming host who seems to have aged well. In an early segment, he explains — and demonstrates — the method he devised to quickly strangle some 1000 (by his own estimate) victims. Congo still pals around with another of his anti-communist comrades, a overweight and jolly man with a penchant for dressing up like a woman during colorful musical sequences staged by himself and the others.

I confess to being less enthralled by this film than I had expected, given its widespread acclaim. Despite their crimes, Congo and the other men are not characters of great depth; it’s hard to tell whether they felt any strong emotion when killing. Only Congo, who says he sometimes has bad dreams, seems to have even the dimmest qualm about it. The lack of introspection no doubt allowed them to kill easily. Possibly I’d have preferred more history to be included. What is maybe more striking than these unrepentant men, who seem to embody the banality of evil, is that they live in a country than seems as blind to the horror of its past as its perpetrators. The dictator is dead, but there have been no apologies for the past, no truth and reconciliation committees, and obviously no imprisonments. Those empowered by the coup, and their descendants, are still in power, ruling over a corrupt country where people are paid to attend political rallies and, in one of the most astonishing segments, a talk-show host born after 1965 praises her elders for their humane way of eliminating the supposed communists, who remain enemies today. As the numerous credits to “Anonymous” attest, Indonesia is still living with its cruel past.


viewed 7/25 at Gershman Y [PFS screening and reviewed 7/26–8/6/13

 

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