? IRS auditor Harold Crick (Will Ferrell) can’t get rid of a voice in his head narrating his every thought and action. Turns out he’s the main character in a novel whose depressed author (Emma Thompson) is trying to overcome a serious case of writer’s block.
+ Turns out that
Ferrell can do more than just be goofy. His Harold Crick, who does the same
things at the same time in the same way each day, probably wouldn’t watch Will
Farrell movies, let alone appear in one. Crick’s involuntary transformation
into book character forces him to think about his quotidian life. Maggie
Gyllenhaal, appealing as the hippie chick who gradually decides Mr. Crick is a
decent guy even if he does represent the feds, might also have something to do
with that. Meanwhile, the death-obsessed author played by Thompson is doing
some searching of her own, aided by the assistant (Queen Latifah) her publisher
has foisted on her. First-time screenwriter Zach Helm brings out the pathos in
all of these people, with the humor keeping things from becoming maudlin.
- It’s not fair to
criticize a movie for its ad campaign, or its star’s previous roles, but it’s
probably worth mentioning that people who saw only the preview or who expect
this to be similar to other Ferrell movies might be disappointed that it’s not
funnier. There are certainly comic moments, but “comedy-drama” best describes
the genre. The plot paints itself into a corner in which the possible endings
seem too dour or too trite, and splits the difference. I wouldn’t say I was
disappointed, but certainly the first half of the movie is stronger.
= ***1/2 Helm, the
writer, seems to be evoking a lot of comparisons to Charlie Kaufman (Being
John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind),
but even though the Stranger Than Fiction premise is nearly as
outlandish as one of Kaufman’s, the execution seems more conventional. I think
some people who found Being John Malkovich or Eternal Sunshine too
aggressively weird (I loved both) may still enjoy this sweet-natured charmer.
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