+ Though perhaps not
as elegantly presented as The Illusionist, the story here is probably
meatier and delves deeper into the world of what today might tediously be
called the magician community. Just as with The Illusionist, magician
Ricky Jay was a consultant, and in this case we actually get to see how some of
the tricks were done. (Jay also appears as the old-timer who hires both
protagonists to work in his act.) Moreover, the characters (Jackman’s in
particular) have a trajectory to match the twists of the plot.
- A lot of your
assessment of this movie is going to depend on, not so much the ending, but a
central premise that sets it up. Without giving too much away, this involves
the scientist Nicola Tesla (an effective David Bowie) and the way this
real-life scientist’s abilities are fictionally extended to encompass skills
well beyond what is possible today, let alone a century ago. It didn’t nearly
ruin the movie for me, but it’s a weak point.
= ***1/2 I’m not sure
why this merited a wider release than The Illusionist, which has a
fairly traditional romance going for it, compared to this movie, whose central
themes are jealousy and revenge, and whose major personages are deeply flawed.
Maybe just that there are more big names. Anyway, this movie offers a different
sort of appeal. Though I’ve repeatedly compared it to the other magic movie, I
think The Prestige is a little more like Nolan’s Memento in its
tricky plotting, back-and-forth time structure, and character-revealing turns.
It’s fairly easy to follow, but it does have a puzzle at the center that the
viewer can wonder about.
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