+ The movie features a number of passages from the novel read
in a voice that sounds like one of those book-on-tape guys. The effect is
somewhere between arch humor and deliberate distance. The narrator’s
disconcerting, yet I missed him when he went away. Field and his actors also
more subtly convey a lot about these people’s lives and motivations. Winslet’s
Sarah is definitely the most fleshed out, and the actress gives another great
performance. While this is no action thriller, the pacing is quicker than in
Field’s previous effort, In the Bedroom.
- Even if In the
Bedroom was slow, it moved inexorably to a simple but satisfying ending
that both fit the story and the characters. The ending here has too much timed
to happen at once and isn’t as convincing. A smaller problem is that you can
tell this was adapted from a novel. Nothing seems missing, exactly, but you
feel like there ought to have been more to a few characters, particularly to
Sarah’s husband, who’s a little more rounded out in the novel (which
Perrotta adapted with Field).
= ***1/4 This isn’t
going to be a movie for everyone. It’s unsettling, particularly with the voice-over, and it takes a detached view of its morally ambiguous characters. I think
a lot of people will come out of the movie trying to figure out what it was
trying to say, and why a sex offender plot was mixed into a story about
potential adultery. On the other hand, the same odd mixture kept me watching to
see where everything was going.
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