While chugging
through a lot of story, director Charlie Stratton establishes the characters by reducing them to their main traits: controlling (Mrs.
Raquin), sickly (Camille, coughing a lot), lusty (Thérèse, moaning a
lot). The minimal back story hurts; one understands rather than truly feels Thérèse’s discontent with her harmless-seeming spouse. Even before Camille’s virile, artistic friend Laurent (Oscar Isaac) shows up, it’s clear the
marriage will not be joyous, and the early Paris scenes are most noteworthy for the opportunity to
watch Inside Llewyn Davis’s Isaac with large sideburns and an English
accent. (Except for Felton, the main characters are played by Americans, but all employ English accents to portray French people) There are some love scenes, but they’re pretty standard “torrid affair” stuff.
All of the above seems like a wind-up to the far darker second half. Here especially, Lange, as a manipulative woman who suffers perhaps too much for her faults, shines in a supporting role. Or perhaps she just has the most complex character.
viewed 2/26/14 7:10 pm and posted 3/4/14
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