Britain may not be as class-bound as it once was, but its history gives it a comfort with the topic. At any rate, class is a subject I’ve seen explored far more often in British films than in American ones. Some of the UK’s best known filmmakers, including Mike Leigh, Ken Loach, and this film’s director, Stephen Frears (Dangerous Liaisons, Dirty Pretty Things, The Queen) touch on class themes frequently. The story here is the reverse of the one in Leigh’s Secrets & Lies, in which the main character tracks down her birth mother. Here, Philomena (Judi Dench) is trying to find the son she gave up for adoption 50 years earlier. The two films aren’t otherwise similar, except in the way they bring together women who are not sophisticated with characters who are, and who are also better off financially. That other character is journalist Martin Sixsmith, played by Steve Coogan. Coogan also co-wrote the screenplay, based on a book by Sixsmith, who really was, as portrayed here, a former BBC reporter who had been forced to resign from a government post and was thus free to research the story of an Irish woman whose child was taken from her while she toiled seven days a week in a Magdalen laundry.
Another such laundry, a place where Catholic “fallen women” provided unpaid labor, was the subject of The Magdalene Sisters (2002), a bleak but moving film. Adding odd-couple humor and a kind of modern-day detective story makes this film much less bleak, but still moving. In the course of the story, Sixsmith comes to respect Philomena. It would be accurate, but make the story seem trite, to say that she has a different kind of wisdom that he does. Better to say that the film respects both of the characters, the cynical, atheistic Sixsmith, and the open-hearted Philomena, whose faith is unshaken by her betrayal by her church. The mystery of her son’s whereabouts is solved, of course, but in a way that is dramatically satisfying, somewhat bittersweet…and not at all trite.
IMDb link
viewed 12/3/13 7:30 pm at Ritz 5 and posted 12/3/13; revised 1/24/14
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