Barbara’s past, and the reason she has left Berlin, are
mysterious. Barbara is a reserved person, by nature as much as by necessity, one senses. It would be difficult to make a film about a place like East
Germany that does not reflect the near total control of the state over
the everyday lives of its citizens. But the film reflects
not only the most dramatic aspects of state oppression, but the efforts
of decent people to live their lives in ordinary ways. A major subplot concerns a young woman forced into a work camp, but in some
ways a scene in which Barbara’s apartment
is searched is more unsettling. As government functionaries calmly
search the meager space for contraband, Barbara seems almost equally
calm (though she is hiding something, and so likely not); their visit is no surprise at all.
Revelations of both character and story unfold in ways that make the quiet film more absorbing as it goes along. Difficult choices lie at the heart of the drama. I wanted someone to be able to tell these people that if they could just hang on for a few years, they’d be fine. But this movie is a reminder that the future is neither assured nor predictable.
Revelations of both character and story unfold in ways that make the quiet film more absorbing as it goes along. Difficult choices lie at the heart of the drama. I wanted someone to be able to tell these people that if they could just hang on for a few years, they’d be fine. But this movie is a reminder that the future is neither assured nor predictable.
viewed 10/24/12 7:10 pm [Philadelphia Film Festival screening] and reviewed 10/25/12–3/7/13
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