Like Cast Away,
much of this story is about a man stranded and alone, but instead of
being American he is Indian, instead of an island he is on a small boat,
and instead of a volleyball his only companion is a non-human
predator called Richard Parker. Director Ang Lee and screenwriter David Magee’s (Finding Neverland) adaptation of the Yann Martel bestseller is faithful to the novel’s spirit, though it omits many details about how to survive alone on a lifeboat.
Perhaps unnecessarily, Lee preserves the novel’s structure — a
grown man, in Canada, telling the story of his distant childhood in India, and then his perilous voyage, to a
curious stranger — and adds frequently gorgeous visuals: shimmering skies, glowing seas, and pastel cityscapes suggestive of a fable. Pi’s is a story “to
make you believe in God,” the stranger has been told. Pi (played winsomely by newcomer Suraj Shjarma), the son of an atheist, himself subscribes to Hinduism, Christianity, and Islam, and an element of
spirituality runs through the movie, which can alternately be seen as a kind of magical realism. In some sense, both book and film draw a parallel between religious faith and storytelling, suggesting that the power of a good story is more important than certainty or literal truth. One need not agree to enjoy this existential story of adventure.
IMDb link
viewed 2/11/13 7:00 pm at Ritz East
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