The novelty of its subjects, an aboriginal girl group who cut their teeth entertaining the troops in Vietnam, just barely raises this above showbiz cliché. Despite being (loosely) based on a true story, the prejudicial episodes generate more sympathy than a true understanding of Australia’s history with its native population. But this isn’t Rabbit-Proof Fence, nor the failed epic that was Australia, so it doesn’t need to do that, but only to function as a streamlined underdog story with musical interludes. Funniest moment: Chris O’Dowd, as the semi-alcoholic emcee who becomes the group’s manager, telling them to drop their Merle Haggard covers and embrace soul.
IMDb link
viewed 10/26/12 7:20 [Philadelphia Film Festival screening] and reviewed 10/30/12
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