The father, played by the director, is more of an overgrown child than a gangster, and Boy initially accepts him as a cool new playmate. The movie is a drama, but in the father character especially there are at least hints of the goofiness of Eagle vs. Shark. Additionally, while the characters are not well off, there is something appealing about the way they have free run of the town’s landscapes, which include a lonely beach, and a certain self-reliance. Boy’s fascination with Michael Jackson is a reminder of the reach of global culture, yet this place seems a world apart. (For American ears, the accents may be a little tough to follow.) Boy lacks the pathos and depth that would make the film a classic, but it’s a winsome effort from Waititi.
viewed 4/19/12 7:3 at Ritz Bourse and reviewed 4/19/12
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