The drama, cowritten by the two leads, Valérie Donzelli and Jérémie Elkaïm, and directed by Donzelli, is at its best in these small moments. (Donzelli and Elkaïm have played romantic partners in other films and have some chemistry.) Roméo and Juliette try to make each other laugh about their worrying too much. They try to understand each other’s different reactions to their situation. They smoke a lot. (It was the degree of smoking that made me suspect, correctly, that the movie was based on a true story.) Except for the smoking, I’d have liked the movie to be even more about these small moments. I don’t really trust those montage scenes in romantic comedies because they seem to be a substitute for actually showing why a couple are together, and I felt like that was true here. Without giving away what happens to either Adam or his parents, it also seemed odd that the story simply skips ahead and dispenses with both questions in a quick epilogue that is not necessarily implied by what has happened before. Additionally, the soundtrack music, which ranges from Vivaldi to Laurie Anderson, is jarring when it should have been intimate.
viewed 2/5/12 3:40 pm at Ritz Bourse and reviewed 2/5/12
Your review was fair. I agree in part about the music, though I thought the Vivaldi storm music was perfect. Some people in the Meetup group posted some similar comments.
ReplyDeleteHere is what I wrote on the site of the Meetup group:
This was a beautiful film. I like the contrasts in the film. The subject was serious, yet there were moments of fun and humor. Although we knew the urgency the parents felt, yet the pace of the film was steady. While we waited for the unknown to be revealed, we were sustained by a feeling of solidity. The street scenes and colorfl, noisy parties contrasted with the purity of the hospital settings.
I could go on, but I won't. There was a lot I liked.