Thursday, November 13, 2014

The Theory of Everything (***1/4)

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This movie is probably slightly better if you don’t know about Stephen Hawking (Eddie Redmayne). For those who do, the story should seem familiar. Covering roughly 25 years, it can only sketch in broad outline Hawking’s major life events — the diagnosis (ALS), the dissertation (on black holes), the debilitation, and the devilishly difficult bestselling book (A Brief History of Time) that made him a household name. Perhaps less familiar will be the love story that director James Marsh focuses on. The movie is in fact based on Jane Hawking’s book.

It’s a story that truly begins after a typical romantic story ends. The scenes in which Stephen, a doctoral student at Cambridge with some unexplained physical lapses, courts Jane (Felicity Jones) are charming — Stephen’s offbeat posture, sly wit, and (later-useful) economy of expression are already apparent — but a prelude. It’s one thing to pledge fidelity to a sick man and another to become the sole caregiver for an invalid who almost literally cannot lift a finger to help around the house.

In all long-term arrangements, the romantic must make room for the domestic. This is that ordinary story, combined with the extraordinary intelligence of Hawking and the fact that time, Hawking’s special area of interest, is not his friend. His speech increasingly slurring, his movements increasingly limited, he yet defies the survival odds. It’s thus an inspirational story that, nonetheless, suggests at once the horror of such a disease and the magnitude of the gift Jane gave him. Marsh, gently eliding over the decades, doesn’t peer deep into the souls of his characters but movingly portrays the way their relationship changes with time, perhaps not as expected. The actors are very good, with Redmayne utterly convincing in evoking the entire range of Hawking’s physical decline, then using his eyebrows to convey emotion and thought. Those interested in more than the barest outline of Hawking’s ideas will want to turn to his books, or Errol Morris’s documentary version of A Brief History of Time, but this is a fine general-interest drama that avoid the clichés of disease movies.


viewed 11/5/14 7:30 pm at Ritz 5 and posted 11/6/14

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