+ Above all, this
movie seems to accurately portray the world of the professional player and the
nature of the game. It does this even better than Rounders, a poker film
from 1998, and certainly more than in Two for the Money, 2005’s
sports-betting allegory that pushes the idea that gambling success is about
getting in a good groove. Hanson and writing collaborator Eric Roth (Munich,
The Good Shepherd) emphasize that it’s all about the odds. I expect they
actually spent some time in Las Vegas (where the movie’s set) learning about
the kind of people who frequent poker tables, and about the game itself. As
anyone who’s watched TV poker knows (and contrary to what’s suggested in the
otherwise excellent Casino Royale, etc.), straight flushes are
extremely rare and a pair of threes might sometimes win a big pot. Barrymore’s
character is the sort of nice, honest girl she usually plays, but the
father-son relationship at the heart of the film is less conventional.
- The story is only
partly predictable, but in terms of the path taken by its main character, it
was much what I expected. I enjoyed the movie, but it’s a small one that I
think won’t stick with me.
= *** Hanson’s film
has fewer commercial elements than his other movies (i.e., it doesn’t glamorize
the world of the gambler, or feature a lot of sex and violence), but it’s a good
option for those not looking for Vegas flash.
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