+ Antarctica and the penguins are rendered with an almost
photographic accuracy. (The penguins actually look pretty much alike, so size
is mostly used to distinguish one from the other.) The musical numbers, even
the medleys, are mostly well produced. Since they’re hits of the last 50 years,
they’re guaranteed to push the buttons of anyone from 6 to 66. Amusingly, a
major plot point involves whether “aliens” exist. A flying bird that almost
eats the hero insists that he was the victim of an alien abduction that
resulted in the tag he sports on his leg. For a story that appears headed for a
familiar destination, the route is surprising. If this weren’t a
family-oriented cartoon, I might even call the last segment existential. Like
some kind of mini-Penguin of the Rings, it was definitely the most
interesting segment for me, even if it might confuse the youngest viewers. The
movie also carries a pro-conservation message.
- Perhaps reflecting
the four credited writers, this is a somewhat disjointed movie. The first 2/3
has about 12 minutes of plot and a lot of visual and musical riffs that
collectively made the movie seem a little long. (For an animated movie,
it is.) At times the plight of the hero seems to be a metaphor for gay rights,
at others a shot at cultural reactionaries. But then the last part of the movie
is chock full of plot, and, as noted, possibly confusing for little kids. (A
sequence where whales nearly have penguin tartare might frighten them too.) The
fact that nearly all the penguins look alike might prevent the characters from
leaving as indelible a mark as some other cartoon heroes.
= *** I’m not sure
what kids will think of this. It’s warm and fuzzy in parts, not in others, but
they’ll like the singing penguins. The ending is magical for all ages.
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