? Writer-director
Michel Gondry’s follow-up feature to Eternal Sunshine of the Spotless Mind
again uses bizarre, often-comical visuals to illustrate the psyche of its main
character. In this case, he is a somewhat boyish aspiring graphic artist (Gael
García Bernal) called Stéphane who has some trouble separating
his dreams from his dull reality. Having just moved from Mexico to Paris to
take what turns out to be a dud of a job, he finds both dreams and reality
increasingly occupied by the girl next door in his apartment building, called
Stéphanie (Charlotte Gainsbourg). Stéphanie embraces his quirky imagination,
but will not actually embrace him.
+ As in Eternal
Sunshine, Gondry, a noted video director, utilizes dazzling
set designs. Stéphane dreams, or imagines, a television talk show in his mind
with fancifully elaborate sets and absurd goings-on. Incorporating romantic
desire and comedy without quite being a romantic comedy, Gondry’s
Franglais-language film seems to depict the messiness of typical relationships,
even if Bernal’s Stéphane is a far-from-typical character. At first he’s not
sure if he likes Stéphanie’s friend better, and his attempts to woo her are
awkward, if sincere. Gainsbourg is the kind of cute you don’t see in many
Hollywood movies. Stringy-haired and not noticeably made up, she looks exactly
as her down-to-earth character ought to.
- I suspect many
people will tire of all the dream sequences and just want Gondry to just get on
with the story. The story itself is fairly pedestrian, lacking the clever
sci-fi element that made Eternal Sunshine my favorite movie of 2004.
= ***1/4 I found this
movie largely charming and identified with Stéphane’s desire for the person who
seems most to understand him. However, I think some people will either dislike
Stéphane’s quasi-wimpy character or be annoyed with all the cross-cutting
between the dream and fantasy sequences and the “regular” ones. Your reaction
to Eternal Sunshine (if you saw it) is probably a good guide, except
that this is not quite as good.
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