Friday, October 14, 2005

Good Night, And Good Luck (**3/4)


The title was the signature line of the primary subject, CBS newsman Edward R. Murrow. Murrow (1908–1965) is a giant in the history of mass media, but one probably at best vaguely familiar to the generations too young to have seen or heard his original radio and television broadcasts, the last of which aired 45 years ago. David Strathairn’s portrayal of the cool, intellectual, chain-smoking Murrow (who died of lung cancer) is brilliant. For George Clooney, who directed, cowrote, and costars as Murrow’s producer, Fred Friendly, and whose father was a TV newsman himself, Murrow is a personal hero. His movie focuses on Murrow’s See It Now shows about Senator Joseph McCarthy in 1954; McCarthy himself is only seen in historical footage of both Senate hearings and his See It Now appearance that blends in with the black-and-white film. On-screen text tells us that McCarthy had been targeting alleged communist infiltration in the late 1940s and early 1950s, a fact few who see the film won’t already know. On the other hand, a lot of people won’t know about many other figures referenced in the screenplay. You don’t have to know the importance of CBS chairman William Paley in television history to follow the story, for example, but it helps.

The nearly journalistic approach Clooney takes is both the movie’s strength and its weakness. The use of historical footage and dialogue is a good move. The slightly archaic speech patterns portray a time now clearly bygone. The rigorous, methodical way in which Murrow critiques McCarthy is also clearly portrayed. His mixture of passionate advocacy and calm logic was probably not much more common then than now. The scenes with Paley (Frank Langella) are reminders that TV was always a business.

What the movie I think failed to do was make me feel the danger that McCarthy represented. By contrast, I was reminded of Martin Ritt’s 1976 film The Front. The Front, which starred Woody Allen, took on the related topic of Hollywood blacklisting and showed the effects of the “Red scare” on real people. It’s a movie I’d recommend to anyone. Clooney’s film is worthwhile for people with an existing interest in McCarthy or Morrow, but will probably come off as hopelessly dry to a multiplex audience.


circulated via email 10/27/05 and posted 11/15/13

No comments:

Post a Comment